{"id":4905,"date":"2026-05-03T22:48:22","date_gmt":"2026-05-03T20:48:22","guid":{"rendered":"https:\/\/jasm1.com\/about\/"},"modified":"2026-05-12T10:19:42","modified_gmt":"2026-05-12T08:19:42","slug":"about","status":"publish","type":"page","link":"https:\/\/jasm1.com\/en\/about\/","title":{"rendered":"About"},"content":{"rendered":"<style>.kb-row-layout-wrap.wp-block-kadence-rowlayout.kb-row-layout-id3913_22acd8-f2{margin-top:0px;margin-bottom:0px;}.kb-row-layout-id3913_22acd8-f2 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id3913_22acd8-f2 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id3913_22acd8-f2 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-none, 0rem );max-width:100%;margin-left:auto;margin-right:auto;padding-top:0px;padding-bottom:0px;min-height:65vh;grid-template-columns:minmax(0, 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.kb-row-layout-id3913_22acd8-f2 .kt-row-column-wrap {    min-height: 40vh;    display: flex !important;    align-items: center !important;    justify-content: center !important;  }  .kb-row-layout-id3913_22acd8-f2 .wp-block-kadence-column,  .kb-row-layout-id3913_22acd8-f2 .kt-inside-inner-col {    min-height: 40vh;    width: 100% !important;  }  .kb-row-layout-id3913_22acd8-f2 .kt-inside-inner-col {    display: grid !important;    place-items: center !important;    text-align: center !important;  }  .kb-row-layout-id3913_22acd8-f2 .kt-inside-inner-col > * {    width: 100% !important;    max-width: none !important;    text-align: center !important;    margin-left: auto !important;    margin-right: auto !important;  }<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id3913_22acd8-f2 aligncenter kt-row-has-bg wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top kt-inner-column-height-full\">\n<style>.kadence-column3913_059824-26 > .kt-inside-inner-col{display:flex;}.kadence-column3913_059824-26 > .kt-inside-inner-col,.kadence-column3913_059824-26 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column3913_059824-26 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3913_059824-26 > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}.kadence-column3913_059824-26 > .kt-inside-inner-col > .kb-image-is-ratio-size{align-self:stretch;}.kadence-column3913_059824-26 > .kt-inside-inner-col > .wp-block-kadence-advancedgallery{align-self:stretch;}.kadence-column3913_059824-26 > .kt-inside-inner-col > .aligncenter{width:100%;}.kt-row-column-wrap > .kadence-column3913_059824-26{align-self:center;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3913_059824-26{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3913_059824-26 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}.kadence-column3913_059824-26 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3913_059824-26{text-align:center;}.kadence-column3913_059824-26{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap > .kadence-column3913_059824-26{align-self:center;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3913_059824-26{align-self:auto;}}@media all and (max-width: 1024px){.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3913_059824-26 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 1024px){.kadence-column3913_059824-26 > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}@media all and (max-width: 767px){.kadence-column3913_059824-26 > .kt-inside-inner-col{row-gap:var(--global-kb-gap-none, 0rem );flex-direction:column;justify-content:center;align-items:center;}.kt-row-column-wrap > .kadence-column3913_059824-26{align-self:center;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3913_059824-26{align-self:auto;}.kt-inner-column-height-full:not(.kt-has-1-columns) > .wp-block-kadence-column.kadence-column3913_059824-26 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}.kadence-column3913_059824-26{text-align:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3913_059824-26 kb-section-sm-dir-vertical\"><div class=\"kt-inside-inner-col\"><\/div><\/div>\n\n<\/div><\/div><style>.kb-row-layout-id3913_bfbb1d-70 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id3913_bfbb1d-70 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id3913_bfbb1d-70 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);max-width:50%;margin-left:auto;margin-right:auto;padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id3913_bfbb1d-70 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id3913_bfbb1d-70 > .kt-row-column-wrap{max-width:65%;margin-left:auto;margin-right:auto;grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id3913_bfbb1d-70 > .kt-row-column-wrap{max-width:80%;margin-left:auto;margin-right:auto;grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id3913_bfbb1d-70 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column3913_5733a0-5c > .kt-inside-inner-col{display:flex;}.kadence-column3913_5733a0-5c > .kt-inside-inner-col,.kadence-column3913_5733a0-5c > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column3913_5733a0-5c > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3913_5733a0-5c > .kt-inside-inner-col{flex-direction:column;align-items:flex-start;}.kadence-column3913_5733a0-5c > .kt-inside-inner-col > .kb-image-is-ratio-size{align-self:stretch;}.kadence-column3913_5733a0-5c > .kt-inside-inner-col > .wp-block-kadence-advancedgallery{align-self:stretch;}.kadence-column3913_5733a0-5c > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column3913_5733a0-5c > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3913_5733a0-5c{text-align:left;}.kadence-column3913_5733a0-5c{position:relative;}@media all and (max-width: 1024px){.kadence-column3913_5733a0-5c > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:flex-start;}}@media all and (max-width: 767px){.kadence-column3913_5733a0-5c > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:flex-start;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3913_5733a0-5c\"><div class=\"kt-inside-inner-col\">\n<h1 class=\"wp-block-heading\">About<\/h1>\n\n\n\n<p style=\"font-size:21px;font-style:normal;font-weight:500\">Jasm One develops a practice that alters the conditions of reality. From the minimal gesture to the transformation of an entire territory, his work unfolds through artworks, series and systems that act directly upon what structures a situation: perception, places, memory and human dynamics. Without boundaries of medium or scale, each act \u2014 formal or systemic, individual or collective \u2014 constitutes an intervention upon reality.  <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Trajectory<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Act 1 \u2014 1998 \u2014 Graffiti<\/strong><\/h4>\n\n\n\n<p>Jasm One began in 1998, drawn to a direct mode of action: spray paint, the letter, the wall. Without permission, without institution. His name written across urban facades \u2014 repeated, amplified, complexified \u2014 became his first working tool. Through this process of repetition, close to calligraphy, he developed a mastery of painting, a precise reading of urban space and an ability to capture the attention of an unsolicited audience. His civil identity gradually gave way to the pseudonym Jasm One: a constructed, chosen and operative identity. Graffiti connected him to an international, collective and codified movement that led him to travel, observe and join informal networks throughout Europe. A first conviction emerged \u2014 one that would never leave him: an artwork does not need to be invited in order to exist.      <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Acte 2 <strong>\u2014<\/strong><\/strong> <strong>2002 \u2014 Structures et engagement<\/strong><\/h4>\n\n\n\n<p>Following a wave of graffiti writer arrests in French-speaking Switzerland, Jasm One shifted scale. He initiated dialogue with public authorities, secured legal walls, founded two associations and built a complete cultural ecosystem over the course of ten years. The result: 13 authorized walls representing 3,000 m\u00b2 \u2014 the first legal graffiti network in Europe \u2014 an international festival, workshop programs, the first breakdance championships in Valais, and exhibitions within major cantonal institutions (Ferme-Asile, Manoir de Martigny). Valais, a rural territory without an urban culture tradition, became a recognized space for urban cultures at both national and international scales. Throughout this period, Jasm One continued painting while also building a network of relationships that would shape everything that followed.     <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Act 3 \u2014 2012 \u2014 International Development, Narrative Murals, Preparation for Art Valais <\/strong><\/h4>\n\n\n\n<p>In 2012, the curatorial project Myfinbec brought together in Valais five artists representing five continents: Mode 2, Jason Revok, Faith 47, Askew, Esow One. In 2013, a journey to New York \u2014 birthplace of graffiti \u2014 confirmed an intuition: the strongest forms emerge from a deep anchoring within their context. The practice shifted toward large-scale narrative murals. The Human series introduced monumental human figures into public spaces and environments previously devoid of them. In Kyiv, a mural for peace created in the context of the Russian-Ukrainian conflict. In South Central Los Angeles, an intervention against gentrification at Maya Angelou School alongside Shepard Fairey, JR, Nunca and Daniel Aphram. From 2016 onward: the conception of Art Valais, built upon a logic deliberately opposed to the traditional international career model \u2014 bringing the world to Valais, rather than the reverse.      <\/p>\n\n\n<style>.kadence-video-popup3913_9a20d2-94{padding-top:var(--global-kb-spacing-lg, 3rem);padding-bottom:var(--global-kb-spacing-xs, 1rem);}.glightbox-kadence-dark.kadence-popup-3913_9a20d2-94 .goverlay{background:#000000;opacity:0.8;}.glightbox-container.kadence-popup-3913_9a20d2-94 .gclose path, .glightbox-container.kadence-popup-3913_9a20d2-94 .gnext path, .glightbox-container.kadence-popup-3913_9a20d2-94 .gprev path{fill:#ffffff;}.glightbox-container.kadence-popup-3913_9a20d2-94 .gslide-video, .glightbox-container.kadence-popup-3913_9a20d2-94 .gvideo-local{max-width:900px !important;}<\/style>\n<div class=\"wp-block-kadence-videopopup kadence-video-popup3913_9a20d2-94\"><div class=\"kadence-video-popup-wrap kadence-video-noshadow\"><div class=\"kadence-video-intrinsic \"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-human-kiev-1-t.jpg\" alt=\"Mural Street Art Kiev U.N.I.T.E.D, Bogdan Stupka, More than us project\" width=\"1280\" height=\"720\" class=\"kadence-video-poster wp-image-4754\" srcset=\"https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-human-kiev-1-t.jpg 1280w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-human-kiev-1-t-300x169.jpg 300w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-human-kiev-1-t-1024x576.jpg 1024w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-human-kiev-1-t-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"kadence-video-overlay\"><\/div><a class=\"kadence-video-popup-link kadence-video-type-external\" aria-label=\"Lire la vid\u00e9o : U.N.I.T.E.D, Kiev 2018\" href=\"https:\/\/youtu.be\/Ez63i80yUuI\" role=\"button\" data-popup-class=\"kadence-popup-3913_9a20d2-94\" data-effect=\"none\" data-popup-id=\"kadence-local-video-3913_9a20d2-94\" data-popup-auto=\"true\" data-youtube-cookies=\"true\"><span class=\"kb-svg-icon-wrap kb-svg-icon-fas_play kt-video-svg-icon kt-video-svg-icon-style-default kt-video-svg-icon-fas play kt-video-play-animation-none kt-video-svg-icon-size-auto\"><svg viewBox=\"0 0 448 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  role=\"img\"><title>Play<\/title><path d=\"M424.4 214.7L72.4 6.6C43.8-10.3 0 6.1 0 47.9V464c0 37.5 40.7 60.1 72.4 41.3l352-208c31.4-18.5 31.5-64.1 0-82.6z\"\/><\/svg><\/span><\/a><\/div><\/div><\/div>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"><em>U.N.I.T.E.D, Kyiv \u2014 Human series, 2018 <\/em><\/p>\n\n\n<style>.kadence-video-popup3913_ffbaa6-1c{padding-top:var(--global-kb-spacing-lg, 3rem);padding-bottom:var(--global-kb-spacing-xs, 1rem);}.glightbox-kadence-dark.kadence-popup-3913_ffbaa6-1c .goverlay{background:#000000;opacity:0.8;}.glightbox-container.kadence-popup-3913_ffbaa6-1c .gclose path, .glightbox-container.kadence-popup-3913_ffbaa6-1c .gnext path, .glightbox-container.kadence-popup-3913_ffbaa6-1c .gprev path{fill:#ffffff;}.glightbox-container.kadence-popup-3913_ffbaa6-1c .gslide-video, .glightbox-container.kadence-popup-3913_ffbaa6-1c .gvideo-local{max-width:900px !important;}<\/style>\n<div class=\"wp-block-kadence-videopopup kadence-video-popup3913_ffbaa6-1c\"><div class=\"kadence-video-popup-wrap kadence-video-noshadow\"><div class=\"kadence-video-intrinsic \"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-human-los-angeles-1-t.jpg\" alt=\"Still We Rise, mural, Los Aneles South Central, Maya Angelo Shcool\" width=\"1280\" height=\"720\" class=\"kadence-video-poster wp-image-4756\" srcset=\"https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-human-los-angeles-1-t.jpg 1280w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-human-los-angeles-1-t-300x169.jpg 300w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-human-los-angeles-1-t-1024x576.jpg 1024w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-human-los-angeles-1-t-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"kadence-video-overlay\"><\/div><a class=\"kadence-video-popup-link kadence-video-type-external\" aria-label=\"Lire la vid\u00e9o : Still We Rise, Los Angeles\" href=\"https:\/\/youtu.be\/GxtzC_J0wcg\" role=\"button\" data-popup-class=\"kadence-popup-3913_ffbaa6-1c\" data-effect=\"none\" data-popup-id=\"kadence-local-video-3913_ffbaa6-1c\" data-popup-auto=\"true\" data-youtube-cookies=\"true\"><span class=\"kb-svg-icon-wrap kb-svg-icon-fas_play kt-video-svg-icon kt-video-svg-icon-style-default kt-video-svg-icon-fas play kt-video-play-animation-none kt-video-svg-icon-size-auto\"><svg viewBox=\"0 0 448 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  role=\"img\"><title>Play<\/title><path d=\"M424.4 214.7L72.4 6.6C43.8-10.3 0 6.1 0 47.9V464c0 37.5 40.7 60.1 72.4 41.3l352-208c31.4-18.5 31.5-64.1 0-82.6z\"\/><\/svg><\/span><\/a><\/div><\/div><\/div>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\">Still We Rise, Los Angeles \u2014 Human series, 2019<\/p>\n\n\n<style>.kadence-video-popup3913_2979d0-b8{padding-top:var(--global-kb-spacing-lg, 3rem);padding-bottom:var(--global-kb-spacing-xs, 1rem);}.glightbox-kadence-dark.kadence-popup-3913_2979d0-b8 .goverlay{background:#000000;opacity:0.8;}.glightbox-container.kadence-popup-3913_2979d0-b8 .gclose path, .glightbox-container.kadence-popup-3913_2979d0-b8 .gnext path, .glightbox-container.kadence-popup-3913_2979d0-b8 .gprev path{fill:#ffffff;}.glightbox-container.kadence-popup-3913_2979d0-b8 .gslide-video, .glightbox-container.kadence-popup-3913_2979d0-b8 .gvideo-local{max-width:900px !important;}<\/style>\n<div class=\"wp-block-kadence-videopopup kadence-video-popup3913_2979d0-b8\"><div class=\"kadence-video-popup-wrap kadence-video-noshadow\"><div class=\"kadence-video-intrinsic \"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-myfinbec-2-t.jpg\" alt=\"MyFinBec 2012 \u2014 Mode 2, Jason Revok, Faith 47, Askew One, Esow, Jasm One, Deter, Demes\" width=\"1280\" height=\"720\" class=\"kadence-video-poster wp-image-4759\" srcset=\"https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-myfinbec-2-t.jpg 1280w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-myfinbec-2-t-300x169.jpg 300w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-myfinbec-2-t-1024x576.jpg 1024w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-myfinbec-2-t-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"kadence-video-overlay\"><\/div><a class=\"kadence-video-popup-link kadence-video-type-external\" aria-label=\"Lire la vid\u00e9o : MyFinbec 2012\" href=\"https:\/\/youtu.be\/b5IunihxJaU\" role=\"button\" data-popup-class=\"kadence-popup-3913_2979d0-b8\" data-effect=\"none\" data-popup-id=\"kadence-local-video-3913_2979d0-b8\" data-popup-auto=\"true\" data-youtube-cookies=\"true\"><span class=\"kb-svg-icon-wrap kb-svg-icon-fas_play kt-video-svg-icon kt-video-svg-icon-style-default kt-video-svg-icon-fas play kt-video-play-animation-none kt-video-svg-icon-size-auto\"><svg viewBox=\"0 0 448 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  role=\"img\"><title>Play<\/title><path d=\"M424.4 214.7L72.4 6.6C43.8-10.3 0 6.1 0 47.9V464c0 37.5 40.7 60.1 72.4 41.3l352-208c31.4-18.5 31.5-64.1 0-82.6z\"\/><\/svg><\/span><\/a><\/div><\/div><\/div>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"><em>MyFinbec 2012<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Act 4 \u2014 2019 \u2014 Art Valais<\/strong><\/h4>\n\n\n\n<p>Art Valais is the most ambitious project within Jasm One\u2019s trajectory and one of the most significant urban art systems developed to date. In seven years: more than 100 murals produced across over 30 municipalities in Valais, throughout a territory of 5,244 km\u00b2 \u2014 the largest open-air urban art museum. Fifty municipalities and the State brought together, CHF 3 million mobilized, and an estimated 60,000 annual visitors. An international residency at Mont d\u2019Or welcoming nearly 200 artists. A complete documentary corpus including 40 mini-documentaries, photographs, texts and a dedicated mobile application. Each artwork is rooted in the identity and heritage of a specific municipality, selected through a rigorous curatorial process. Jasm One acts simultaneously as artistic director, curator and producing artist. The model has no known equivalent.<br\/>       <\/p>\n\n\n<style>.kadence-video-popup3913_aa42a0-9e{padding-top:var(--global-kb-spacing-lg, 3rem);padding-bottom:var(--global-kb-spacing-xs, 1rem);}.glightbox-kadence-dark.kadence-popup-3913_aa42a0-9e .goverlay{background:#000000;opacity:0.8;}.glightbox-container.kadence-popup-3913_aa42a0-9e .gclose path, .glightbox-container.kadence-popup-3913_aa42a0-9e .gnext path, .glightbox-container.kadence-popup-3913_aa42a0-9e .gprev path{fill:#ffffff;}.glightbox-container.kadence-popup-3913_aa42a0-9e .gslide-video, .glightbox-container.kadence-popup-3913_aa42a0-9e .gvideo-local{max-width:900px !important;}<\/style>\n<div class=\"wp-block-kadence-videopopup kadence-video-popup3913_aa42a0-9e\"><div class=\"kadence-video-popup-wrap kadence-video-noshadow\"><div class=\"kadence-video-intrinsic \"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-press-rts-1-t.jpg\" alt=\"press - RTS - 12h45 Art Valais OPEN AIR MSUEUM\" width=\"1280\" height=\"720\" class=\"kadence-video-poster wp-image-4760\" srcset=\"https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-press-rts-1-t.jpg 1280w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-press-rts-1-t-300x169.jpg 300w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-press-rts-1-t-1024x576.jpg 1024w, https:\/\/jasm1.com\/wp-content\/uploads\/2026\/05\/popup-vido-1280x720-press-rts-1-t-768x432.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><div class=\"kadence-video-overlay\"><\/div><a class=\"kadence-video-popup-link kadence-video-type-external\" aria-label=\"Lire la vid\u00e9o : RTS JT - Art Valais OPEN AIR MUSEUM\" href=\"https:\/\/youtu.be\/JQ31r2ydObg\" role=\"button\" data-popup-class=\"kadence-popup-3913_aa42a0-9e\" data-effect=\"none\" data-popup-id=\"kadence-local-video-3913_aa42a0-9e\" data-popup-auto=\"true\" data-youtube-cookies=\"true\"><span class=\"kb-svg-icon-wrap kb-svg-icon-fas_play kt-video-svg-icon kt-video-svg-icon-style-default kt-video-svg-icon-fas play kt-video-play-animation-none kt-video-svg-icon-size-auto\"><svg viewBox=\"0 0 448 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  role=\"img\"><title>Play<\/title><path d=\"M424.4 214.7L72.4 6.6C43.8-10.3 0 6.1 0 47.9V464c0 37.5 40.7 60.1 72.4 41.3l352-208c31.4-18.5 31.5-64.1 0-82.6z\"\/><\/svg><\/span><\/a><\/div><\/div><\/div>\n\n\n\n<p class=\"has-text-align-left has-small-font-size\"><em>RTS News &#8211; Art Valais OPEN AIR MUSEUM<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Act 5 \u2014 2023 \u2014 Lines of Soul<\/strong><\/h4>\n\n\n\n<p>Lines of Soul marks a radicalization of the language. A single material \u2014 metallic ink or marker \u2014 a single gesture \u2014 the line \u2014 and GPS coordinates as the only readable anchoring point. The central stake is light: each artwork captures and reveals the luminous variations of a place. Depending on time, weather or viewing angle, the work changes appearance \u2014 white, golden or dark. It cannot be passively observed: it compels movement and duration. Three supports are used: walls (permanent and freely accessible), glass surfaces (rapid and often ephemeral interventions created during travel), and canvases. The Black Holes series \u2014 circular canvases produced in situ using an easel \u2014 captures the essence of a location before traveling elsewhere. Presented within galleries or collections, detached from their original context, the works force the viewer to mentally reconstruct the landscape from the coordinates alone. GPS coordinates, ordinarily tools of tracking and orientation, become here artistic anchors.       <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Act 6 \u2014 2026 \u2014 The Line<\/strong><\/h4>\n\n\n\n<p>The Line is a studio-based body of work founded upon the repeated line as its sole language. No longer readable letters, but the act of writing itself pushed toward abstraction. Emerging from an instinctive process close to Art Brut in its methodology: repeating relentlessly, converting an inner tension into stabilized form. A logic of transformation operates throughout: what begins from a state of intensity \u2014 sometimes pain, sometimes saturation \u2014 resolves into a form of appeasement. For the viewer, visual density slows perception, holds attention and imposes presence. A single tool \u2014 the marker \u2014 applied on paper, plastic or canvas, in black or white. Sometimes monumental works whose language can unfold at the scale of an entire space. Long present in latent form, this language now emerges as the most autonomous corpus of the practice: a universal language independent from context or territory. What twenty-five years of work make possible: the essential.         <\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>About Jasm One develops a practice that alters the conditions of reality. From the minimal gesture to the transformation of an entire territory, his work unfolds through artworks, series and systems that act directly upon what structures a situation: perception, places, memory and human dynamics. Without boundaries of medium or scale, each act \u2014 formal&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-4905","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jasm One (Issam Rezgui) \u2014 Contemporary Artist<\/title>\n<meta name=\"description\" content=\"Contemporary artist Jasm One (Issam Rezgui) develops artworks and systems that alter the conditions of reality. 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